Archive

Tag Archives: Father John Misty

If you have one of those dude-bro friends that repeatedly claims, while downing Bud Lights at the bar, that music these days sucks, this is the list you show him to prove him wrong. Maybe now he’ll shut the hell up. Also, you should stop being friends with that guy. He probably owns multiple  Nickleback albums.

I spent this year immersed in music and not once was “Man, music this year blew” a thought that entered my fuzzy brain. I’ll give you this: If you’re doing nothing but listening to the radio, the sentiment that things in music just aren’t what they used to be probably holds true. But on the other hand, if you’re a smart one, you’ve found your favorite blogs or you’ve taken the steps yourself to seek out beautiful jams and for you, 2012 was a fucking inspiring year of music.

Below, Folk Hive’s List of Most Revered. Here you will not find what’s called a Best Of List. We do not deign to know what was the best this year — we’re not critics so that job falls on someone else. We can only tell you what moved us these past 365 days and the reasons why. Below, a listing of 10 albums that did just that. Observe.

**

tpt[Number TEN :: Turnpike Troubadours Goodbye Normal Street]

Bossier City Records

I recognize that the third and latest offering from Red Dirt heroes, the Turnpike Troubadours, is not up everyone’s alley. Goodbye Normal Street is a full on country assault of your ears and for some of your boats, this ain’t what floats it. But being from where I’m from, there is a comfort in music that is home to me, whether I like it or not. My childhood was filled with Garth Brooks and George Strait, recent Gods of Country, and they dominated my musical landscape from a young age. As I got older, I moved away from that because Christ if it isn’t a trite genre now, full of cliché and bullshit rhyme, but the Troubadours bring it back to where it should be. If this album had not been filled with heart, great stompability, and jams written by Felker (a man that fucking owns the words to his songs in a way I rarely witness), I’d still love it on the merits of what it says country music can and should be.

Turnpike Troubadours :: Good Lord Lorrie [mp3]

BUY Goodbye Normal Street :: SITE

*

horse feathers[Number NINE :: Horse Feathers Cynic’s New Year]

Kill Rock Stars

It is perhaps true that never has a folk outfit so beautifully and perfectly blended words, vocal, and an array of instruments as Horse Feathers does and this year’s release Cynic’s New Year bolsters that statement. It is Bruce Springsteen in spirit for the Midwestern set. Cynic’s New Year is strife and poverty and happiness, if you can find it, within that, despite the odds. “Last Waltz”, one of our most favoritest tracks of the entire year, is a beauty …

Horse Feathers :: Last Waltz [mp3]

BUY Cynic’s New Year :: SITE

*

strumbellas[ Number EIGHT :: The Strumbellas My Father & The Hunter ]

Maple Music

From the very first urge to stomp and clap on The Strumbellas excellent debut My Father & The Hunter, it’s clear that we’re in for a ride. For some time it was so that “Left for Dead” had a place on every personal mix I made. It was replaced by “Diane” and then “Carry My Body”. Beyond that there was “Underneath A Mountain” which has become one of our go to Feel Fucking Great Anthems. While taking stock at the end of year last it became obvious by play count that this album had dominated our listening not even on and off but consistently since we’d encountered it. While every album on this list is one that we have loved hard, this one in particular is one that we apparently loved long as well.

The Strumbellas :: Underneath A Mountain [mp3]

BUY My Father & The Hunter :: SITE

*

Jurado[ Number SEVEN :: Damien Jurado Maraqopa ]

Secretly Canadian

Nothing written in the history of this album does its beauty justice. We have seriously genuine honest feelings of love for this album so great that words cannot ever do it justice. (That’s our review. Seriously.)

Damien Jurado :: Working Titles [mp3]

BUY Maraqopa :: SITE

*

sheepdogs[ Number SIX :: The Sheepdogs S/T ]

Atlantic

This is one of only two non-indie label released album on this list and while we typically give all our love to bands and outfits that won’t garner Rolling Stone covers, the 1970s-tinged perfection of The Sheepdogs S/T release this year was too good to forgo on our year end favorites list. It should be noted that while this album was blessed (or cursed, depending on your point of view) by big label production (e.g. fucking Pat Carney, you guys) and promotion, the legwork for all The Sheepdogs success was done over years and years by the band itself and not some label machine ran by beardless dudes in goddamn ties. The band’s live show has been honed over an extended period of time spent toiling in bars and it shows from the bonafide groupie presence in the front row all the way back to the old Allman Brothers fan in the back row, jamming as if it were Duane Allman himself on guitar. Seriously, y’all we witnessed this first hand. (Two aside thoughts about that: 1. Goddammit, groupie bitches, I drove 4 hours for this show, I will rip that feather out of your hair if you cut me in line and 2. Highest of fucking fives, old dude in the back row with your badass handmade tie dye shirt and braid.)

While it’s obvious this album was produced by a major label it’s merit rests in the fact that the songs contained therein were either released previously on other albums fucking stellar in their own right or perfected on the road just the way they deserved to be.

The Sheepdogs :: Feeling Good [mp3]

BUY The Sheepdogs :: SITE

*

avetts[ Number FIVE :: The Avett Brothers The Carpenter ]

Universal Republic

There are a million words we could write about The Avett Brothers: Of their perfection when they began, of their growth in their formative years as a band, and how they’ve changed into something that maybe their oldest fans do not worship as hard but that’s for another time. The fact of the matter is that even a shitty Avetts album is still a damn fine album. There are gems here, to be sure, and frankly a couple Avett Brothers gems are still greater than most albums released these days and as such, we love The Carpenter.

PS — But still, fuck Rick Rubin.

The Avett Brothers :: Down With the Shine [mp3]

BUY The Carpenter :: SITE

*

i'm just gonna sit this here for you :: the lumineers new album[ Number FOUR :: The Lumineers S/T ]

Dualtone

Because seriously, you had to know this would end up here on our list. From the positively perfect first listen upon discovery of this album to the exceedingly righteous experience of seeing the band up on a mountain in a singing, dancing crowd of 75 or so, The Lumineers contributed to a glorious year of discovery when it comes to music. The band has moved on from the size of that mountain crowd to a rapidly growing fan base that is expanding even as we type and they are certainly folk’s success story of the year. Amazingly, it couldn’t have happened to a band that deserves it’s success any more than this one.

The Lumineers :: Elouise (Lost EP version) [mp3]

BUY The Lumineers :: SITE

*

spirit fam[ Number THREE :: Spirit Family Reunion No Separation ]

Self released

Fans of stomp, clap, and holler, ye musical gods have arrived and they go by the name Spirit Family Reunion.

Spirit Family Reunion :: Green Rocky Road [mp3]

BUY No Separation :: SITE

*

Father John Misty[ Number TWO :: Father John Misty Fear Fun ]

Sub Pop

There are things about J Tillman, man who changes his moniker Prince / Artist Formerly Known As style whenever he damn well feels like it.. that are well and true. 1. He’s a goddamn musical genius. 2. He sports the most righteous of all indie beards. And 3. There is no way we’d want to encounter the dude in a dark alley. Reason being? He’s witty, sarcastic, and intelligent as fuck, something that’s obvious if you’ve ever watched an interview he’s given (our favorite). He would slay us with his comebacks, he would laugh at our trivial knowledge, and he would balk at that shirt you’re wearing.

Still, Misty seems to be a swell feller regardless and this year’s release of Fear Fun was a gift to people like us, we obsessors over words (see the insert that came with the vinyl album). How a man manages to both frolic and maintain balls to the walls seriousness in his music while tackling what seems to be an unhappiness of epic proportions we’ll never know, but Misty pulls it off. We did not review this album, though we wanted to greatly, for we were worried that the artist would get wind of it and ruin us even though our thoughts on it are glowing bright and sprinkled with glittery bits of love. We just couldn’t take that risk.

When Tillman is Father John I cannot decipher his words for their meaning nor his songs for their true depth but I feel a kinship with them anyway. For us, that’s been the beauty of this record.

Father John Misty :: Only Son Of A Ladies Man [mp3]

BUY Fear Fun :: SITE

*

denver 3[ Number ONE :: Denver S/T ]

Mama Bird Recording Co.

If there is any album this year that can be called underrated and underappreciated, it is this one right here.

We’ve went on about this album and this band before. The praise we heaped upon this album once proved well deserved for these songs have soundtracked road trips, river trips, and gathering with friends, however few and far between they’ve become as we’ve aged. In our minds, this band that originally warranted merit due solely to it’s makeup has now become greater than that — this is not Blitzen Trapper, this is not Alela Diane’s Wild Divine. Denver is The Highwaymen in camaraderie and Denver is a band that has perfected the beauty of stomp and holler music that belies, in its seeming happiness, something deeper. There is heartbreak and while that’s common in music (and in life) what’s different here is that there are lessons learned in those songs, too. No more howlin’ at the moon.

Plus, there’s a fucking banjo.

Denver :: The Way It Is [mp3]

BUY Denver :: SITE

Absent for a month and indeed, sorry for that. But here we are now: the fall has descended upon the Ozarks and year 30 has dropped into my lap.

Let me admit some things. I will admit that I have not written since early October. I will admit that I have not listened to music — not a mixtape in my car, not a snuck secular jam in my office, not a handcrafted playlist in my home — in more than a month.

I will admit that it’s likely due to a combination of the weather and mood. I now possess a 30 year old disposition and I am finding it unbecoming. It is anxious and frail and it has left me at a loss for words. It has left me drained and without the want or will to find the energy to even just listen. It is a sad state. Those things I will admit.

I will also admit that today I spent no less than 8 hours in front of a computer with no other goal than to reacquaint myself with my medicine, that which has healed me in the past. I forget occasionally how that works and I lose track of the glorious seconds where I encounter a song that moves me and I have to physically remove my hands from the keyboard so that I can place them on my chest and feel along with the person singing. It is their story, their lyrics, but they’ve released them into the ether and the beautiful thing about it (and music in general) is that I can take those songs and use them as my very own ladders. They are helpmates out of holes in which I’ve dug myself into. These songs are friends that talk me down.

Last weekend, I ventured out to a country show. I packed up my travel anxiety and I left town on a last minute whim. I was with a hastily obtained press pass and without a hotel reservation. I packed myself into a tiny bar with 600 others, 300 or so of which I’m sure were most likely breaking some sort of fire code regulations with their attendance, and I danced my ass off to a genre of music that I have not two-stepped to since my childhood. There were two beers in each of my hands and there were great friends to my left and right. At times, I sang so loud and with such gusto that I felt it breaking my heart free from the locked cage in which it had decided it would spend the winter. I attempted to take video of a raucous sing along, “Long Hot Summer Day” so I could remember the minute it happened later — I grounded my camera on the thick hewn log railing that bordered the area where we danced upstairs in the bar but the crowd was stomping so hard that there was just no stability to be found, even among the timber. Fucking music. It saves the day always and apparently not just for me but for hundreds of others crowded in a bar for the country show. Fucking music, man. It’s so perfect.

Here’s to the fall and here’s to the damned cold.

Here’s to making it through the season…

DOWNLOAD the Folk Hive Fall/Winter Mix.zip, y’all.

***

The Avett Brothers :: The Fall

This is a literal fall and there is the fall which drops the leaves from the tree branches. And then there is this song by The Avett Brothers that reminds me of springs and summers during which I opened wide all the windows in the house and turned the speakers up to 11 so that I could hear these words while I planted flowers in the front garden. There was a beer beside me and there was sun on my tank-topped back. Those were the days, man.

Those days shall return, yes, but in the meantime there is old school Avetts to mind that gap.

(If you’ve yet to meet your awesomeness quota for the month, might I suggest a purchase of The Avett Brothers Four Thieves Gone that was just released in the most badass of vinyl packages? Get that here.)

BUY Four Thieves Gone :: SITE

*

Adam Faucett ::The Way You See It (Live at Daytrotter) [mp3]

My history with Faucett is both non-existent and storied. We have never met, will never meet. But if Six Degrees of Separation is a real thing then by God, we’re best friends. I once met two of his pals at a bar, musicians both, and saw his face in a facebook photo of those boys. My musical blogger instincts said that man too, with his beard rivaling that of his friends that I’d once encountered, probably had a band too. Indeed, he did. That bearded, legally blind man was Faucett and now that I am fully comfortable with his wail and his words, I am devoted.

We have never met, never we shall. But his music will ring through this house all fall and all winter. I assume that on the river next year even, I will hum this song in my head as I round bends to long, deep eddy’s.

Faucett’s DAYTROTTER Session :: BUY More Like A Temple :: SITE

*

The Deep Dark Woods :: Sugar Mama [mp3]

This is most likely the best 2:39 of song I’ve heard in the past…forever. A song of lament and hope with a country-folk bent that’s right up our alley. This song has been played over 500 times in this house and will likely be played over 500 more. What with that lament of age and displacement of one’s youth and it’s summery, sunny sound, how could it not?

BUY The Place I Left Behind :: SITE

*

Gin House :: Midwestern Mind, Southern Heart

There is a thing I like about this song. That thing looms large and that thing is a personal comfort and a knowing that lurks within these words. This, to me, is a gloriously written alt-country jam with a full on, lyrical country bent.

BUY Gin House EP :: SITE

*

Passenger :: All the Little Lights [mp3]

Sometimes a mantra is needed, something to repeat as the warmth leaves this Midwestern state, something that will convince my heart that one day the sun will return. The chorus of this Passenger jam work just fine in that capacity: We’ve all got million of little lights shining in our hearts and they show us the way. The sun isn’t always necessary, not when you have all those little lights.

BUY All The Little Lights :: SITE

*

The Oh Hellos :: The Truth Is A Cave [mp3]

At the ass end of 2011 The Oh Hellos put out a stellar album that I dug into just a few months ago. As it usual, I quickly fell in love.

Sometimes though, when one loves an album and a band so much, there is cause to worry. When an album reaches that pinnacle within your heart, one might be cincerned that the greatness of the second can never match the wonder of the first. But awesomely, in regards to The Oh Hellos just released second effort, Through the Deep, Dark Valley, one needn’t have ever concerned themselves with thoughts like that to begin with.

The last lines of this song utterly slay my heart. I was tired of giving more than you gave to me. And I desired a truth I wouldn’t have to see. A-fucking-men.

BUY Through the Deep, Dark Valley :: FACEBOOK

*

Some Dark Holler :: Sweet Red Wine [mp3]

If you’re one of those people who doesn’t believe with all your heart that autumn is perfectly soundtracked with foot stomps, a violin and a dobro, and words about some form of booze then we were probably not meant to be friends.

BUY Hollow Chest :: FACEBOOK

*

Aiden Knight :: Jasper [mp3]

Aidan Knight is a songwriter and a damn fine one at that but not just one man (as the moniker would imply) but instead a quintet of folkies from Canada. I think. In other news, Aidan Knight is awesome.

Also, dudes. Here is a video of Aidan Knight and Dan (fucking) Mangan singing “Jasper” in the snowy wilderness. It is glorious and you should watch it.

 

BUY Small Reveal :: SITE

*

The Wooden Sky :: Take Me Out (Halfway House Sessions) [mp3]

I fucking love this song (and this band) and on the aforementioned roadtrip with my moms, she fell in love with it, too. I learned, after wondering all these years, from who it must have been that I inherited a need to play certain songs on repeat, over and over for days and days. My mother took over the stereo, hitting back again and again, until we realized that she had played this song approximately 32 times in a row as we passed over state borders and county lines.

WOODEN SKY Halfway House Sessions :: BUY Every Child A Daughter, Every Moon a Sun :: SITE

*

Brett Detar :: Coasts [mp3]

Breaking circles, man.

DOWNLOAD Bird In The Tangle :: SITE

*

Wake Owl :: Gold

Wake Owl’s “Wild Country” has, without a mathematical doubt, been played more in this house this year than any other song I’ve come across within the past 365 days. FACT. Want another fact? “Gold” is in the running for being the second most listened to jam. For  an EP release of just a few songs, that’s quite a fucking feat.

BUY Wild Country :: SITE

*

Father John Misty & Phosphorescent :: I Would Love You [mp3]

No comment here because no comment can equal the utter awesomeness of such a duet between the immeasurable Misty and Matthew Houck.

FOUND on Aquarium Drunkard

*

Lemolo :: Letters [mp3]

This is included because of…reasons.

BUY Kaleidoscope :: SITE

*

Chris Ayer :: The Infinite Abyss of Space [mp3]

Listen to the first 7 seconds of this song, indie music fan, and tell me that you don’t like this. Do it, I dare you. See what happens…

BANDCAMP :: FACEBOOK

*

Tumbling Bones :: Trouble Around My Soul [mp3]

Something about some dudes harmonizing a capella about the troubles that those of us in this land seem to innately understand from birth gets me every damn time.

Tumbling Bones’ Selections: 2011-2012 is a stunningly gorgeous collection of jams. I stumbled upon it a week ago and have had it on repeat since, all 8 bits of it. Highly (no seriously, bro, HIGHLY) suggest you snag it.

BUY Selections: 2011-2012 :: FACEBOOK

*

Frightened Rabbit :: Old Old Fashioned

FRabbit is releasing a new album, Pedestrian Verse, in some months and I, for one, with my penchant for slightly depressing yet awesome indie rock, am jazzed for its arrival. To keep my whistle whet until then, I’ve dug out The Midnight Organ Fight and put it on repeat because it is good and I fucking love it.

BUY The Midnight Organ Fight / PRE-ORDER Pedestrian Verse ::  SITE

**

Turnpike Troubadours :: Long Hot Summer Day

Remember when I told you about the time that I saw a band that had a crowd of 600 stomping so solidly that a building made of some seriously large logs actually shook so hard that it was impossible to even anchor a camera? This is that band that I spoke of and this is that song.

BUY Goodbye Normal Street :: SITE

*

Shakey Graves :: The Waters [mp3]

YOU GUYS. Watch this:

 

I mean, Jesus, COME ON.

FACEBOOK

6am Repeat is a recurring feature here at Folk Hive in which we stream the latest track that plays incessantly in the earbuds when we awake at that hour and imbibe massive amounts of coffee and cigarettes in preparation for the advancing day.  Consider it your jam of the day — a sweet, sweet gift from me to you.  I love you, dude.

 

I am a bonafide asshole.

On 1 May this man, J. Tillman, under the moniker Father John Misty, released an album called Fear Fun. I’ll admit, I’d seen the ‘Hollywood Forever Cemetery Sings’ and wasn’t feeling it so I moved on. This is where my being a dolt comes in because OH GOD, YOU GUYS. THIS ALBUM. I really hate to be that bandwagon jumper but in the 4:23 that it took me to watch this dude hilariously dance about in his semi-unbuttoned shirt and converse with Letterman about shoes, I had traveled to SubPop and bought this album. I swear, if I don’t get the pink vinyl because I waited too long it will all be true: My birth certificate will indeed be just an apology from the condom factory.

**

Father John Misty :: Only Son Of The Ladiesman [stream]

 

BUY Fear Fun :: SITE